My work deals with the question of what it means to personalize- and, admittedly, feminize- the tropes that have been established within the historical foundation of landscape photography. Each series depicts a psychological journey through a state of mind, each image representing a piece of a micro or macrocosm of an invented world in a fictional time. The landscapes depicted are not specific to a location. Rather, they index a kind of place and directly reference the 'trace'- borrowing the idea that it is both the mark of the future and the past, in a present moment that is neither.