I question what it means to personalize, and admittedly feminize, the tropes that have been established within the historical foundation of landscape photography. Each series depicts a psychological journey through a state of mind, each image representing a piece of a micro or macrocosm of an invented world in a fictional time. The landscapes are not specific to a location. They index a kind of place and reference the 'trace', the idea that is both the mark of the future and the past in a present moment that is neither.